... keeps the doctor away, I know. But it is also giving me the chance to talk about food photography and conceptional ideas. I have bought two different apple varieties on our local market (Belle de Boskoop, Braeburn). I started with a still using Boskoop apples.
(1)
© All rights reserved, Thorsten Kraska, 2010The basic idea was to use a random looking arrangement of Boskoop apples, but using one single center apple as the focal point. From the apples I used one which combines the most typical characteristics of the batch. Around this center apple I arrange different ones showing different chrarctristics, e.g. different color (a deep red or bright red in upper right, a green one in upper left or an orange one in lower left). To make the single center apple the dominant point in this photo, no other apple is touching this one and around it is some free space. And I used a very shallow Depth of Field (80mm/f 2.8 tilt-shift lens, with an extreme tilting of about 10° to reduce Depth of field even more).
(2)
© All rights reserved, Thorsten Kraska, 2010In this second shot I used a slightly lower angle and a closer view to emphazise the ascending diagonal line more. Although this diagonal is also used in the upper one, the tighter cropping and lower angle is forcing it more. Especially because the three apples in upper left making a line in same direction. And the three apple cropped on far right are doing the same. Although I didn't change the arrangement, the effect is bgetting obvious here by just two little changes.
(3)
© All rights reserved, Thorsten Kraska, 2010In this photo, using Braeburn Apples, I have used a similar idea, but varied it. First, the apples are looking more or less the same. But the center (single) apple is used too. I used a slightly wider Depth of Field (and no tilting) at 70mm/F 3.5. I wanted a very bright impression so I used a fill light from lower left and from left side with the main light (natural light from a window) from upper right. The apple in lower right gets another fill light from lower right to reduce shadows here.
Composition wise I have used the descending diagonal line here mainly created by the only two apples which are not cropped. The upper right I filled with apples, so that they build a kind of triangular shape, where the diagonal line is one side. At first there was no apple in lower left. I introduced one to break an otherwise too stiff composition.
(4)
© All rights reserved, Thorsten Kraska, 2010Here I have forced the diagonal line as the main element. The line is created by the two apples like in the other and the apples in upper left and lower right corner. But the two apples behind the line are now emphazising the diagonal again. This is mainly do to the fact that I have removed the other apple in uupper right and the one on left side. And I changed the lighting. Just a very reduced fill light from lower left, the apples in upper left were shaded a bit, so that the center apple is the brightes spot in this photo. The effect is enhanced, because of the focal plain being on this apple. And you can see here the effect of the fill light on lower right apple. Whereas the apple is showing shadows here, in the former one the shadows are reduced obviousely. With a more hard light from upper right as compared to the smooth light before, there are some good shadows which are supporting the diagonal line.
So with two apple varieties and different ideas you can vary your composition and play with different elements in your photo: color, element characteristics (color, structure, shape), light, arrangment, angle, depth of field. Sometimes not much is required to change the composition and the effect it will have on the viewer.
...on the processBetween the first two photos and the last two photos was a time of one week, where I thought about how to change the setting or what to make different. The main idea was how to structure the photo (arrange the apples). In the first two I was using the ascending diagonal line, but the "many" apples cover the diagonal line a bit. In the last two I have tried to make this line more obvious. I also like the differences between the two diagonal line and how viewer's react to it. The diagonal line from lower left to upper right (ascending line) create a feeling of going upwards, going away into the back, moving away. The diagonal line from upper left to lower right (descending) is often associated with a movement towards the viewer, going downward. Often this line has an "inviting" character and in food photography it could be associated with "serving something to the viewer". I think especially in the 3rd shot with the brighter apple in focus this is to recognize (at least for me)
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